“...a particular joy as Giulia, singing with a clear, agile soprano and spinning out the coloratura with ease.”
James R. Oestreich • The New York Times (Giulia, La Scala di Seta)
“...gave pleasure in many gentle, fluent, well-shaped passages...”
Andrew Porter • The New Yorker
(Giulia, La Scala di Seta)
“...sang the role with winning assurance.”
Daniel Webster • The Philadelphia Inquirer (Mimi, La Bohème)
“...sparkles as fiancee Susanna, her lissome soprano bringing the role alive.”
Joseph Pronechen • Connecticut Post (Susanna, Le Nozze di Figaro)
“...è stata una dolcissima Susanna...”
Franco Corsaro • America OGGI
(Susanna, Le Nozze di Figaro)
“...as sexy and charming a Susanna as one could hope for...lithe lyric soprano...she never seemed taxed, and her singing grew stronger right up to her final aria...”
Milton Moore • The Day
(Susanna, Le Nozze di Figaro)
“...aside from affecting singing, managed with all seeming innocence to put over the kinkiest
S & M “Batti, batti” this operagoer has ever seen.”
Paul Somers • The Star-Ledger
(Zerlina, Don Giovanni)
James R. Oestreich • The New York Times (Giulia, La Scala di Seta)
“...gave pleasure in many gentle, fluent, well-shaped passages...”
Andrew Porter • The New Yorker
(Giulia, La Scala di Seta)
“...sang the role with winning assurance.”
Daniel Webster • The Philadelphia Inquirer (Mimi, La Bohème)
“...sparkles as fiancee Susanna, her lissome soprano bringing the role alive.”
Joseph Pronechen • Connecticut Post (Susanna, Le Nozze di Figaro)
“...è stata una dolcissima Susanna...”
Franco Corsaro • America OGGI
(Susanna, Le Nozze di Figaro)
“...as sexy and charming a Susanna as one could hope for...lithe lyric soprano...she never seemed taxed, and her singing grew stronger right up to her final aria...”
Milton Moore • The Day
(Susanna, Le Nozze di Figaro)
“...aside from affecting singing, managed with all seeming innocence to put over the kinkiest
S & M “Batti, batti” this operagoer has ever seen.”
Paul Somers • The Star-Ledger
(Zerlina, Don Giovanni)